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This provides more than enough to get anyone started, without swamping them in technicalities. It is a full version, and though it's initially easy to use there is lot of control lurking under the surface. Although I suspect that the majority of SOS readers are likely to use a different sequencer package such as Cakewalk , Cubase , or Logic , this is a very capable and useful addition to the SWXG package.
One of the beauties of the integrated XGWorks design is that you never get the dreaded 'Device already in use' message when attempting to simultaneously access the card from separate editor and sequencer applications. However, a floppy disk is also supplied which contains the freeware Hubis Loopback utility. The Loopback utility is fairly simple to set up, but will still be confusing for the novice, since it adds extra entries to the MIDI list and may possibly cause problems with the Win 95 MIDI device limit.
Those who quake at the thought of SysEx editing need not fear, however, since there will be a knob, fader or button available in a variety of applications that generate the appropriate data for you to twiddle. Fader movements can be set up and recorded using an application like XGEdit 2. Other manufacturers providing specific support including Kenton, whose Control Freak reviewed last month will provide hardware control. A new web site www. There is even a mention of a Windows NT driver in the first quarter of Yamaha's original DB50XG arguably brought professional synth quality to the at the time relatively humble PC soundcard.
Though it has no breath control input, the system is designed to respond to breath control data, so it would still be possible to use it with something like a Yamaha.
If you are using XGEdit , the new VL preset voices simply appear as an extra menu option when choosing a voice in any channel. The beauty of the PLG approach is that the daughterboard's 16 notes of polyphony are added to the polyphony of the SWXG, giving a total of 80 available notes! Given the upsurge of interest in all things FM see Derek Johnson's review of the Yamaha FS1R synth module on page 28 , I expect this to be a big seller as well, since there is no substitute for real FM — samples of FM are only a snapshot, and don't have the changing timbre with velocity of the real thing.
Although the SWXG has limited inputs and outputs on its own, it can still form the basis of a more comprehensive and more powerful system. In this configuration the SWXG provides the master clock source, and the second card could provide a much larger range of inputs if you want to record drum kits or complete bands , or more outputs as Aux sends to external effect units.
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