Gatecrasher discotech generation megaupload

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The little blighters have digested the cheese fats for you and pooped out nutritious, runny cheese goodness. They can project themselves six inches out from the cheese. Fun for all the family. The finale — time to take more aid from the Chinese and pop some blank ant tonic down. An italian family enjoying casu marzu: www. Hello there! Welcome back to Food News. New Year treating you well? Yes, the Kingussie Food on Film festival is back once again, and depending on when you read this you may well have time to catch it.

Oh, it goes on for a month. The most romantic day of the year, so it is, and what could be more romantic than breakfast with monkeys?

Yes, you did read that correctly, breakfast with monkeys. Meerkats too, and some other zoo-type animals. Non-literal, of course. Why is this notable? If not, see you in March. Here goes. There is a brewery which makes beer for dogs. Actually, scratch that. There are three breweries which produce beer for our canine chums. Yes, the name of the brewery is just a coincidence. Yep, not even joking. Bark Vineyards produce wine for dogs. For dogs. The beer inside — The End of History — may be too strong to possibly be pleasant, and a bottle will set you back a pretty penny, but your attention is what the furry bottleholders would have wanted.

That or to go for a pint with the dogs What it means to be conventional and whether slipping into an ordinary, bourgeois, heterosexual lifestyle, can be avoided words: Miriam Prosser. Can more be done to improve the standard of sex education in our schools?

The campaign was launched in response to a number of studies. One, a report by the National Union of Students called Hidden Marks, revealed that one in seven female students experience a serious physical or sexual assault while at university. I GET IT was aimed at getting people like us or, at least, those of us aged 16 to 25 talking about what makes a healthy relationship. I ran workshops in which participants were encouraged to frankly discuss friendship, dating, love and sex.

Respect, trust and personal safety always came out on top. Comparing their lists, the groups saw how common it is to sacrifice our relationship ideals — and sometimes our safety — for fear of being passed over by potential partners. Why does this happen? The frank discussions that took place in my workshops are far from the norm, as the groups observed.

Even progressive sex education. However, according to the Health Protection Agency, STI rates are steadily rising here in the UK and rates of infection have increased among under 15s and those aged 15 to Furthermore, the average sex education class usually fails to address issues like. Sex education classes are often also heterosexist. In the Office for National Statistics conducted a nationwide evaluation report into sexual identity.

They found that Yet the vast majority of sex education classes still focus primarily on heterosexual, penetrative sex. Young people who identify as transgender are often totally excluded from the sex ed discussion, too, and sex education provision for people with disabilities is severely lacking. But, as my workshop groups overwhelmingly agreed, parents, guardians and other family members are often reluctant to talk about these issues.

Starting the conversation with peers is even worse: all the groups acknowledged that peer pressure greatly affects the way they view sex and relationships.

Happily, though, things are getting better. However, we can all do something to help develop happier and healthier sexual and romantic lives. Convention is defined by comparisons. When we got talking to people it was a shock to realise how far we deviate from the prescribed university-jobmarriage-kids route. I live in a community of shambling lefties. A macho, macho man.

This puts us firmly on the map in terms of conservative lifestyle choices. Getting a mortgage means bank records, insurance, ID; a web that keeps you firmly anchored to the conventional adult world. Is our gonzo community enough to keep us safe from the insidious creeping evil of the ordinary?

Will the bohemian ideals around us stop our life together from disappearing in a landslide of mortgage payments? James my partner and I have both found personal freedom in questioning convention and following our innermost impulses, even when that was a scary thing to do. The ability to listen to yourself and be honest about what you hear is what makes a relationship good. Not always fun, but ultimately fulfilling. What some people truly want is a stable career, a family, and a church wedding… and good for them.

Some years we may walk a straight line, other years the line may deviate. Edinburgh folks, five years of tram bullshit should have you prepared with an answer to this next question: Are you ready for some apocalyptic doom? The tail-end of the month brings us some theatrical heavy metal from Stockholm in the form of Grand Magus, playing the Cathouse with fellow thrashers Primitai 22 Feb.

Ending February right, deathcore sadists Born of Osiris take the Catty just a few nights later, ably backed by a triumvirate of prog-metal ensembles, namely After the Burial, Monuments and The Haarp Machine 26 Feb. Valentine approaches. If reggae and roots is more your thing, check out the lineup for the annual Wee Dub Festival, taking place at various venues throughout Edinburgh between 1 and 3 Feb.

Check the website www. The mighty Goth, as their name might suggest, are a rock band with a sense of humour — a rare thing indeed these days — but they never let that distract from their driving, blistering riffage. An essential gig for all shoegazing fans. Ah, Divorce, you mental bunch. Their album was packed with highlights, not least of which were the song titles.

Who could forget such classic tracks as Cunts in a Circle, or the self-explanatory Bill Murray? They make an unholy racket — excoriating howls, black metal guitars processed and distorted. Catch them at Bar Bloc in Glasgow on 9 Feb and prepare to have your bowels rearranged. The lads have had a banner year, with their eponymous debut album attracting praise across the board, and placing highly in a great many end-of-year polls.

PAWS are a slightly more in-your-face proposition than the Django lot — their infectious, upfront brand of pop-punk is winning hearts and minds up and down the UK, with the band shortly set to embark on a US tour. A fan of sweeping, post-rock soundscapes and epic neo-ambient meditations on landscape, language and loss? We thought so. Nae pressure. Tonight opens with the bluesy and operatic rock stylings of Strange Empire.

Each chorus is greeted with a raucous, booze-enhanced sing-along. Check them out, pronto. Woven Tents follow up with a delightfully oddball, jazz and psychrock influenced set that takes in Weather Report-esque licks, mental Bonzo Dog Doo-Dah Band drums and strange, spiky keyboard-playing. Finally, Hector Bizerk take the stage, expanded to a four-piece by the addition of a synth player and a bassist. Louie is on dynamic form tonight, a consummate and energetic front man who whips the crowd into a baying frenzy.

Man Up becomes a fist-pumping call to action, Burst Love swaggers insouciantly before igniting, while a culminative and anthemic Bury The Hatchet closes proceedings. London three-piece Daughter have been the subject of much attention this past year, finally revealing they had signed to 4AD late last year. Tonight they play their first sold out headline show in Glasgow since gracing the stage of Barrowlands in in support of Beirut. The trio play the majority of material present on EPs His Young Heart and The Wild Youth, as well as recent single Smother and several previews from their iminent debut.

Originally a solo endeavour by singer and multi-instrumentalist Elena Tonra, this is evidenced by the format of many of the songs, relying on a prominent, husky and affected vocal, which is equally as impressive in a live setting as it is on record.

But a love of the six string is the only thing these bands have in common. Each takes a differing approach to pleasing the punters in what is a sizable and enthusiastic crowd. Someone always has to go on first, and tonight that responsibility falls to Fat Goth. But this hotly-tipped Dundonian power trio are no meek warm-up act. They demonstrate their considerable talent with a pulverising performance of songs from their forthcoming second album, STUD, which has already been attracting some positively glowing reviews.

Many bands would dread following such an impressive opener, but Black International display quiet confidence and have no problem quickly finding their stride. The Edinburgh duo, no strangers to music fans from the capital, prefer a more economical post-punk sound,.

In contrast, Poor Things demonstrate a refreshing scuzz-pop sensibility that will please fans of Evan Dando and Pavement. They even find the time to dedicate the predictably sweet Ice Cream to one of their watching parents. Headliners Chris Devotion and The Expectations stand at the opposite end of the guitar spectrum to Fat Goth, but have no problem in matching their intensity. Devotion is a natural frontman and knows how to write a damn effective chorus.

Tickets to see them — and the three other bands showcased here tonight — are unlikely to remain this cheap for long. We join post-hardcore champs United Fruit in their Glasgow rehearsal space as they take a break from demoing album number two to survey the February singles. There will be dub It feels quite flat. Marco: It has a southern twang to it, which is nice. Stuart: I just feel a bit indifferent about it.

Can we give half points? Iskander: I think a six then. A guy in a dog costume has just been attacked! Marco: It totally does. For that name alone, they get a nine. Iskander: Could you compare this to DZ Deathrays? Iskander: I bet they are kick-ass live. Stuart: They got an extra point for being called Beard of Wolves. Ross: I like the music, I like the girl singing, but I. Marco: Is he Scottish though?

Ross: I stand corrected. The Skinny: He could be deliberately rapping in a Scottish accent? Marco: I liked the music and I liked her voice. Iskander: I like 90s Britpop! Stuart: It sounds a bit like Sleeper. Iskander: I like Sleeper! Ross: I always enjoy the trailer more than the film. Stuart: They should have condensed this song into 30 seconds. Ross: I hope none of these bands are practising next door. That could get awkward! Stuart: And both bands lost. Marco: The vocals ruin this so badly.

This is tapping into my roots! Dancing with girls with dreadlocks. Marco: For that, it has to get at least a six. I like this song. Iskander: Yeah! I like this. This is a nine. Ross: [dismissively] This is daytime radio Iskander: [genuinely surprised] You think? Marco: This is couch music. Iskander: Petite Noir is a bit more edgy! Shake Up opens the first, its rolling drums, restless organ lines and distorted howls initially resembling punked-up merseybeat before visiting more abstruse territories.

Further EPs will follow later this year, but these twin releases offer more than enough to be getting on with. The departure of founding guitarist Mick Harvey in is perhaps most keenly felt in the decisive move from the scuzzy garage rock of Dig, Lazarus, Dig!!! Two months on, a full-length tribute arrives in the form of What the Brothers Sang, in which the duo understatedly refashion thirteen more tracks written or previously performed by the Everlys.

As before, McCarthy and Oldham evidence utmost respect for the material, recognising and keeping sight of what made these songs tick in the first place. What follow up Pedestrian Verse gets right is in identifying that the emotionally-charged, anthemic song writing of Scott Hutchison already packs a weighty punch, with little need for ostentation. Some welcome, evocative flourishes pepper what is, on the whole, a confident and propulsive work of brevity and poise.

As a line in the sand, Pedestrian Verse should find Frightened Rabbit putting past expectations to rest whilst paving a path towards ever bigger things. The Eraser is a template, but the organic instrumentation and sometimes fussy arrangements are a technical leap forward. Amok is the sunrise after the storm and flood of The Eraser — full of dawn light; deceptively simple songs constructed from intricate clockwork parts. The polished electro-disco of First Call is another instrumental highlight — the album as a whole is coherent and intelligently constructed, with no weak tracks.

Rule of Twelfths refines an aesthetic nine years and three albums in the making, as Cambridgeshire quintet Fuzzy Lights tweak their pastoral-folk-meets-post-rock style without misplacing its most distinctive qualities. Though The Bronx IV lacks the demented bite of their early material, its accessible approach to hard rock is nonetheless refreshing and seems a logical next step for a band that has outgrown the club circuit.

First and formeost though, Team Ghost are a rock band, and they more than prove their chops on the brooding, propulsive Curtains. Instrumental track Things Are Sometimes Tragic brings in a hint of techno; Broken Devices uses beatless, gothic electronica; while Team Ghost dissolves into howling screeds of feedback.

There are fast-paced tracks — Bathroom Laughter and Romanticize Me both have the energy of hardcore punk, but with deceptively polished lead guitar riffs and complex bass. Suffering becomes laughter, boredom becomes drama. Scuzzy punk traditionalists or grunge revivalists? Gieben] www. But it does see the band clearly defining the parameters of their sound — emotional, adrenalised hardcore with post-punk ambitions, and a beating heart of thwarted, fuck-everything catharsis that has earned them their fearsome live reputation.

True, their particular alchemical combination of punk tropes has nothing blindingly unique in its recipe, and those who have followed the scene for years will be able to point out the myriad homages and influences.

But somehow, Iceage are more than the sum of these parts, and when they hit a peak — the excoriating Burning Hand; infectious opener Ecstasy; and in the offhand, the half-spoken, stop-start dirge and riot of Awake — they make it all sound so convincing.

Comprised of 13 instrumentals, ranging from the shuddering, Flying Lotus-esque psych-hop of The Beginning to the intricate, uptempo dubstep of She Moans, the LP effortlessly draws upon a swath of disparate genres. Dobie originally made his name as a hip-hop artist, and on tracks like Stan Lee is a Hero of Mine his talent in that field remains evident: jazzy, DJ Shadow-style sampled breakbeats are stitched infectiously together, and overlaid with a low acid squelch.

Employing ruthlessly infectious pop hooks, three-part vocal harmonies and loose, uptempo drums, they make memorable, summery indie rock songs which have a timeless exuberance in their perfectly-formed, three-minutes-or-less structures.

The reference points the band claim are equally as influential to their sound as previous Scottish masters of the form, such as The Vaselines and The Pastels, and there are shades of winsome US indie champs like Juliana Hatfield on tracks like Past Tense. An entirely charming debut. With Total Life Forever, Foals rejected genre associations like nu-rave and dance-punk by upping the emotional stakes and working ambiance into their blueprint. His band does, too. Tiptoeing the divide between showiness and subtlety, Caitlin Rose has a voice all-but guaranteed to melt hearts.

Her mastery of melody yields soulful results that are proud of their roots yet gratifyingly unbeholden to them. TM is the latest alias of Swedish glitch pioneer Andreas Tilliander; this project turns his considerable talents to spacious, dubby techno in the vein of Gas and Basic Channel.

TM is not merely a foray into new sonic pastures, however; the LP is also underpinned by two core conceptual ideas. Firstly, Tilliander deliberately restricts the range of tools at his disposal, working primarily with a Roland TB; and secondly, TM was recorded live, in real time, in his studio. With archetypal psychedelia, garage rock and twanging surf guitar setting solid foundations, the sextet rattle out rambunctious, urgent variations on a vintage theme, without ever sounding antiquated or phony.

And the fuzz bass on Peach Blossom? We get looped, cascading vocals on the blissed-out Anomaly, tumbling into harsh, overlapping squelches and synths on the punishing, punk-infused She Is The Wave; the dream-pop harmonics of Sunrise explode into the Blondie-rififng, exalted pop-rock-meets-techno of the matchless Egypt; and the carnivalesque pop hooks of Live Forever. Gieben Doldrums is the brainchild of Canadian Airick Woodhead, an itinerant musician and visual artist who has been in and out of bands his whole life, most notably alongside brother Daniel Woodhead, as a member of Spiral Beach.

After a period of wandering, both in bands and in splendid isolation, Woodhead returned to Canada, eventually moving from his native Toronto to Montreal. Befriended by Claire Boucher, better known as Grimes, Woodhead began working on tracks under the name Doldrums, and quickly gained recognition both locally and internationally.

Lesser Evil finally arrives in the UK this month. The Skinny caught up with Woodhead on the eve of the final date of a massive European tour, where Doldrums supported fellow rising stars of Canadian electronica, Purity Ring. In person, Woodhead is animated and engaging, despite tour fatigue — his arms are covered from wrist to elbow with brightly coloured wristbands from festivals and gigs.

He speaks in a quiet, almost androgynous falsetto, and gives off the confident air of a young man living out his dream of being a touring musician. Especially in Europe, people are really listening. I get excited when I see cheese is on sale. I play boardgames with my friends. It was a lot of noise music, a good community. Moving away from big rock shows and concentrating on composition and visual art, he found the inspiration to start Doldrums.

Doldrums have been rounded out live on this tour by collaborators Kyle Bennett also a producer in his own right, under the alias Flow Child , and drummer Steve Foster. My focus is always on just making the band as organic, and as much about the players as possible. There is a lot of improvisation, and they each bring their own sonic element.

Foster meanwhile taps out intricate, complex polyrhythms. How much of the live show is improvised? Doldrums are a band who have had their fair share of hype on the internet, getting a lot of love. Does Woodhead feel that the band embody the current wave of internet-based musicians?

But like, I was the last person to get on Facebook. I feel the same way about the internet — I want to fucking smash my computer every time I open it. Or perhaps the snow will have gotten heavier, ushering in some sort of grim, bleak snowpocalypse? Only time will tell! In the vernacular — YASS. He mans the decks on 5 Feb at Killer Kitsch, for a measly fiver — get yourself down to the Buff Club, wear some ear protectors, or prepare for tinnitus. The same night, party monsters Wrong Island welcome back resident, and previous star of our DJ Chart feature, Teamy back to the fold after a brief sabbatical.

How much do they want for the Perverts? No excuses for missing this one. The Philanthrobeats crew have the club night for you. But no! Top notch. On 1 March, up-and-coming house, garage and bass music crew 49Hz take over a new clubbing space, , located beneath The Newsroom, for a free party with residents Fault Lines and DeCourcy, who are joined by rising stars of the Edinburgh club scene Atticus Jacks and Comrade Massie.

The capacity of this event is strictly limited to people, so be sure and get down early. If forward-thinking bass music is your thing, this is a crew to keep your eyes on in Get in! Kudos] Check listings for times and prices. He cut his teeth playing experimental live sets of original material, and has distilled his sound down into tough, brooding, experimental techno.

Here he gives us a tentrack guide to his influences and favourite tracks, including Napalm Death, J-Pop, and a healthy dose of dark techno. The first time I heard this, it blew me away. Mixing breakbeats and amazing textures to make a sonic treat for the ears; whether it be in a club or in the house, it causes devastation.

Every time. Creating harsh rhythms, mixed with completely devastating distorted bass. One of my favourite producers from last year. A real breath of fresh air. I came across Dead Fader at a time where I was feeling very uninspired with my own production.

Suddenly, it seemed after listening to a short Dead Fader showcase mix on Electronic Explorations, everything was in colour again. Truly inspirational stuff. One of the most heavy and impressive uses of the Amen break in existence. That mixed with a deep sci-fi sound scape makes this in my opinion the finest drum and bass around. Ingen — Snap the Tilt [Digital Distortions] A turning point in my own work that finally made me think I had an idea of why I was even doing this stuff. After getting picked up by one of my all time favourite underground labels Digital Distortions, and the track being released alongside some of my heroes, it seemed like the first step in the right direction.

T-Polar and one other unconfirmed mystery guest.. After hearing some of their tracks being played by BMB live at club Dogma in Edinburgh, I was convinced by how powerful and unique they were. I went on to book Whitehouse to play at Cabaret Voltaire after hearing what they could do live. Nothing was the same ever again. Kyary Pamyu Pamyu — Tsukematsukeru [Yasutaka Nakata] Like multi coloured sweets you know are bad, but you cant stop eating.

Mostly of the work of Yasutaka Nakata. He is responsible for production for the artists Perfume and Kyary Pamyu Pamyu. Some of the shiniest, best-produced music in the world, mixing techno-pop with melodic hooks and the cutest female creature ever KPP herself. No-one is safe. This has probably been the most played song on my iPod in the last year. Totally underrated. Hard to describe the sheer racket these guys can make. Simple, sonic brutality in its purest form.

Might take a bit of slack for this one, as nowadays they seem more like a tribute band performing with none of their original members.

All that aside, they can still cut it when it comes to sheer noise terror! Ochre — Circadies [Benbecula] This song is the purest form of beauty, from seminal Scottish electronica label Benbecula. I find it hard to enjoy melody in a lot of dance music, but this truly moves me. Some really complicated polyrhythms and edits that would even put Aphex to shame.

A perfect ten. Oscar has been one of my favourite producers for many years now. This version of his track remixed by Regis really pushes the boundaries. Confessions Sorry Remix Music Inferno American Pie Drowned World Subsitute For Love Me Against The Music Ft.

Britney Spears Beautiful Stranger Viva Tirado Chanchullo Smoke There You Go Mama Guela El Raton live Soul Makossa Congo Bongo live at Yankee Stadium.

Son Cuero y Boogaloo. Red Garter Strut. Kikapoo Joy Juice. If This World Were Mine. Guajira Con Tumbao. Hueso Y Pellejo. Caimitillo Y Maranon. Isla Del Encanto. Vacila Con Tu Trago. Los Tamalitos De Olga. Naranjo Y Lucas. El Raton. Quitate Tu. Jalin Pachanga. Coro Miyare. Ponto Duro. Mambo Mongo. Descarga Fania.

Me Gusta El Son. Mama Guela. Soul Makossa. Djobi Djoba. Congo Bongo. Soy Guajiro. Descarga en Cuba. Tres Lindas Cubanas. Mi Gente. Tres Pianos — Guarija. Voy a vivir para siempre. Introduction Theme. Quitate tu. Ahora Vengo Yo. Estrellas De Fania. Que Babaridad. Ponte Duro. Macho Cimarron. Closing Theme. Yo Soy Candela. Saca Tu Mujer. Ahora Si Vamos A Bailar. Toro Mata. El Nazareno. Publico Corriente. Trad Congo Tribal Song. Kinshsa Airport Arrival Jam. Rehearsal Of New Material.

Africa Drum. Ivory Market Jam. Pacheco Signs Autographs. Pupi Warms Up. Por Eso Yo Canto Salsa Lo Que Pide La Gente El Rey De La Puntualidad Usando El Coco Una Noche Me Embriague 2. Dejate Amar 3. Mi Vida Loca 4. Querida Socia 5. Y Te Me Vas 6. Madre Soltera 7. El Ultimo Adios 8. Agente De Ventas 9. Wasted Days and Wasted Nights Angel Baby 2. No Vas A Jugar 3. Cuando Abras Los Ojos 4.

El Nopal 5. Tristeza Pasajera 6. Chicana Jalisciense 7. Se Marcho Jenni Rivera Parrandera, Rebelde y Atrevida. Parrandera Rebelde Y Atrevida 2. Que Me Vas A Dar 3. De Contrabando 4. Brincos Dieras 5. La Mentada Contestada 6. No Vas A Creer 7. Imbecil 8.

No Me Pregunten Por El 9. Que Se Te Olvido Jefa De Jefas Me Siento Libre Cuando Muere Una Dama. La Papa Sin Catsup 2. A Escondidas 3. Ese Hombre 5. Juro Que Nunca Volvere 6. La Tequilera 7. Ahora Vengo A Verte 8. Hacer El Amor Con Otro 9. Homenaje A Mi Madre Where Did Our Love Go La Papa Sin Catsup A Escondidas Juro Que Nunca Volvere Hacer El Amor Con Otro. Querida Socia 2. Las Malandrinas 3. Cuando Abras Los Ojos 5. Chicana Jalisciense 6.

Se Marcho 8. Mi Vida Loca 9. Tristeza Pasejera Angel Baby Reina De Reinas La Chacalosa Las Mismas Costumbres Amiga Si Lo Ves Simplemente La Mejor Reina de Reinas 2.

Desquite 3. Orgullo de Mi Padre 4. Popurri de Chelo 5. Traficantes 6. Reina Es el Rey 7. Martina 8. Bato Gacho 9. Maestra del Contrabando Saludame a la Tuya La Plaga 2. Hay Punkies En Moscu 3. Bye Mama 4. Luz De Luna 5. Sin Limites 6. Bello Imposible 7. Buena Onda 8. Pablo 9. La Gata En El Tejado. No Seas Cruel 2. Twist Y Gritos 3. Popotitos 4. La Casa Del Sol Naciente 5. Soy Tuya Mi Amor 6. Diana 7. Satisfaccion 8. Dame Tu Amor. Sheriff 2. Un Grito En La Noche 3. Llama Por Favor 4.

Eternamente Bella 5. Estoy Bien 6. Guante De Seda 7. Que Me Das 8. Cuidado Con El Corazon 9. Camara De Gas. Provocacion 2. Quiero Armar Un Escandalo 3. Hacer El Amor Con Otro 4. La Ciudad Ardio 6. Reina De Corazones 7. Vivir Contra Corriente 8. Rosas Rojas 9. Me Cuesta Mucho Amarte Dame Un Martillo. Mala Hierba 2. Dime Adios 3. Mirala, Miralo 4. Soy 5. Calles De Fuego 6. Ruge El Corazon 7. Angeles Caidos 8. Hey Tu 9. Libre Te Esperaba.

Eternamente Bella 2. Luz de Luna 4. Mirala, Miralo 6. Mala Hierba 7. Hacer el Amor con Otro 8. Reina de Corazones 9. Verano Peligroso Twist y Gritos Cuidado con el Corazon Rosas Rojas Llama Por Favor.

Cuado Dos Van A Muerte 2. Pasa La Vida 3. Despertar 4. Dan Tanto Miedo 5. De Un Trago 6. No Hay Nadie Como Tu 7. Baila 8. Amigo 9. Morir De Amor Corazones Rotos. Guerra Fria 2. Ven 3. Toda La Mitad 4. Como Las Nueces 5. Larga Distancia De Ansiedad 6. Quema Despacio 7. Cuenta Conmigo 8. Tocarte 9. Recordaras Buscando Tu Amor.

Eternamente Bella 3. Angeles Caidos 4. Loca 5. Hacer El Amor Con Otro 8. Despertar 9. Te Esperaba Reina De Corazones Corazones Rotos Enemigos 2. Grita 3. Algo Natural 5. Volare 6. Vuelvo A Besar 7. Bye, Bye Love 8. Paloma Herida 9. Me Perdi En Tu Cuerpo Matame Que Mas Da Habia Olvidado Por Que Tengo Que Amarte.

Mirala, Miralo 2. Ven 4. Mala Hierba 6. Despertar 7. Loca 8. Toda La Mitad 9. Hacer El Amor Con Otro Guerra No Hay Nadie Como Tu Guerra Fria Dime Adios. Verano Peligroso 2. Mirala, Miralo 3. Mala Hierba 5. Eternamente Bella 6. Corazones Rotos 7. Cuidado Con El Corazon 8. Angeles Caidos Guera Lou Bega - Mambo No. Mike Oldfield - Moonlight Shadow. Robbie Williams - Millennium. Blues Brothers - Minnie the Moocher. Leonard Cohen - Suzanne. Leonard Cohen - Dance me to the end of love.

Leonard Cohen - Hallelujah. Leonard Cohen - I'm Your Man. Lieutenant Pigeon - Mouldy Old Dough. Springwater - I Will Return. Mike Curb Congregation - Burning Bridges. Royal Guardsmen - Snoopy's Christmas. Roger Whittaker - Mammy Blue. Elton John - Your Song. Shadows - Wonderful Land.

Noel Harrison - Windmills of Your Mind. Billy Idol - White Wedding. ELO - Overture. ELO - Mr. Blue Sky. ELO - Hold on Tight. ELO - Livin' Thing. John Pearse - McGhee's Rag. Chumbawumba - Tubthumping. Tin Tin - Toast and Marmalade for Tea. Lulu -To Sir With Love. Leon Russell - Tightwire. Pickettywitch - That Same Old Feeling. Los del Rio - Macarena. Joan Osborne - One of us. Norman Greenbaum - Spirit in the Sky. The Rolling Stones - Ruby Tuesday. Rolling Stones - Paint It Black.

Leonard Cohen - Bird on a Wire. Cat Stevens - Lady D'Arbanville. Cat Stevens - Peace Train. Cat Stevens - Morning has broken. Harry Chapin - Cats in the Cradle. Cream - White Room. The Zombies - She's Not There. Animals - House of the Rising Sun. Animals - House of the Rising Sun 2.

The Byrds - Mr. Tambourine Man. Led Zeppelin - Stairway to Heaven. The Yardbirds - For Your Love. The Kinks - Waterloo Sunset.

The Kinks - Sunny Afternoon. The Kinks - Apeman. The Kinks - Lola. Snowy White - Midnight Blues. Suzi Quatro - Can The Can. Blondie - Heart Of Glass. Blondie - The Tide Is High. Blondie - Rapture. Cyndi Lauper - Time After Time.

Bonnie Tyler - Total Eclipse of the Heart. Murray Head - One Night in Bangkok.